“Tre darř”, created with tissue cloth, embroidery and iron rod structure, forms part of a larger installation titled Tadahe Milandasi, inspired by a Sindhi poem by Sheikh Ayaz that speaks of reunion after pain and separation. The installation reimagines the three locked doors from the artist’s childhood home, symbols of safety, fear and memory, into delicate translucent panels embroidered with locks and Sindhi text written in Urdu script.

These fragile, stitched doors embody the layered emotions of migration and the longing for home. They become thresholds between past and present, memory and loss, evoking both protection and vulnerability within the shared history of displacement.