The artwork is titled “Between Pit and Ridge: Bodies in Motion”. This multidisciplinary work, realized across Drawing, Painting, Photography, Video in form of Installation, examines Arjangarh—a meeting ground of practice, defense and ecological memory—as a living archive of bodily practice, military apparatus and environmental urgencies. It calls for a situated urbanism that honors local wisdom and the intertwined futures of heritage and modernity.

The project is personally rooted in the artist's ongoing process to explore how mobility, temporality and resilience shape our relationship with place. The takeaway for the audience is that the work reimagines urban space through the rhythms of the body and urges them to honor local wisdom and the intertwined futures of heritage and modernity.